Ariel Hahn's animated music video for the Cramps punk rock classic ingeniously brings the song to life with great piles of wriggly, throbbing trash. Stick out your can! Here comes the garbageman!
Scientists subjected her to tests, and discovered that the phantom limb is indeed just as real as her other limbs, as far her brain's perception of it is concerned. When she is asked to move the arm, her motor cortex shows the signs of moving an actual limb. When she is asked to look at her third arm, her visual cortex responds as if its watching the arm move.
At least the poor woman got one small benefit out her stroke - she's now able to scratch her itches without anybody knowing! While her imaginary third arm passes through solid objects, when she uses it to scratch her own skin, her brain perceives it as actual scratching.
This is an amazing clip. The bubbles look sort of like the undersea aliens from The Abyss, sort of like those weird soul projection things from Donnie Darko, and sort of like levitating rainbow ghost manatees from another dimension.
The song itself doesn't do much for me, but this video for the new David Crowder Band single is really clever and impressive to look at. What a sight, making things with Lite Brite!
William Shatner was recently interviewed for Vanity Fair, and the tone of the interviewer was just... Well, let's just say that Shatner would've been within his rights to take the jerk out with one of those old school James T. Kirk flying dropkicks. But it's really impressive how Shatner never comes close to losing his cool here, no matter how awkward and insulting the questions get.
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Eric Stoltz was originally hired to star in Back to the Future, and apparently the shoot was pretty far along before director Robert Zemeckis decided that Stoltz just wasn't working in the role. By various accounts Stoltz was "too serious" as Marty McFly, and wasn't clicking right with Christopher Lloyd. He was replaced by Michael J. Fox, and for many years the footage with Stoltz in the role was locked away in a vault somewhere. Today a little bit of that footage has finally turned up online.
The Tomfoolery Show was a very peculiar Rankin/Bass Saturday morning cartoon that aired in the early 1970s. It featured a mix of nonsense poetry, corny old vaudeville gags and mind-fryingly strange character designs.
Tom Wilson, the hulking character actor best known as Back to the Future's bad guy, Biff, has a surprising sideline as an artist. He paints colorful pop art pieces featuring old toys and other objects from the baby boomer era. His artwork really doesn't suck, which is something of a rarity among celebrity artists. (And I'm not just saying that out of fear that Wilson will hunt me down and knock on my skull with his knuckles, saying, "Hello? Hello?" I mean, yes, that is a factor, but it's not the only reason.)
In the interview below, Wilson talks about his art and repeatedly refers to himself as a pop-cultural icon. It's true, as Biff he pretty much is a cultural icon. But still, walking around calling yourself one is kind of weird.
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The Separation is a creepy, sad and very well-made stop-motion short by Robert Morgan. Two conjoined brothers are surgically separated in their youth, and spend their lives dealing with the consequences.
"Science fiction plucks from within us our deepest fears and hopes, then shows them to us in rough disguise: the monster and the rocket." - W.H. Auden
Who is he, this one who is called "Greg Stacy"?
Greg Stacy began the MONSTERS AND ROCKETS blog in April of 2009. Prior to that, he was editor of the popular sci-fi/horror news website DARKWOLDS.COM. He has also written for LA WEEKLY, OC WEEKLY, UTNE READER and LOS ANGELES CITYBEAT. He always feels weird writing about himself in the third person.