Gilbert Hernandez's NAKED COSMOS

Sunday, July 26, 2009



Once in a great while, usually when it’s very late at night and you’ve been restlessly flipping around the more disreputable end of the TV dial, you come across a show of perfect, transcendent strangeness. It could be Dr. Gene Scott’s mix of fierce televangelism and dancing bimbos. Or Dr. Franklin Ruehl at his desk in outer space, discoursing on the Phantom Army of Mt. Kilimanjaro. Or some forgotten Spanish-language B-picture where fat guys in wrestling masks battle vampire babes. Or even (you lucky dog) your first Ed Wood movie. When you wake up the next morning, you wonder if you really saw it, or if you just dreamed the whole thing.

Gilbert Hernandez’s 2005, straight-to-DVD TV series The Naked Cosmos is like all of those shows mixed together into one mind-frying package. This is concentrated public access weirdness, and it should not be taken without first consulting a physician. Hernandez, the justly acclaimed cartoonist who co-creates the Love and Rockets comic book series with his brother Jaime, made his name crafting bittersweet stories of life in the fictional South American town of Palomar, stories that are often compared to the works of such writers as Carson Mccullers and Gabriel Garcia Marquez. But with The Naked Cosmos, Hernandez lets a different side of himself out to play, cutting loose with a wild parody of/homage to all the kitschy TV he grew up loving as a dorky Oxnard kid.

The Naked Cosmos is a kind of surreal kiddie show hosted by Quintas (Hernandez), a mop-topped, pop-eyed, psychic, albino dandy who takes us on an unforgettable journey through inner and outer space accompanied by the lovely Mistress Velda (Hernandez’s wife, Carol Kovinick) and Ego (Hernandez again), a mellow hippie boozer with the power of teleportation. Quintas faces opposition at every turn from his masked clone, the seethingly envious Kalisto (Hernandez yet again), and both are rivals for the affections of the cheerfully oblivious Velda. All of them report to the Chief (Kovinick), a lady who wears a bondage cat hood and issues her orders over the phone in Spanish.

Every now and again the action stops cold for a short film presented by Zansky, a jolly expatriate from another dimension. Hernandez portrays Zansky via the old slumber party trick of drawing a face on your chin and standing on your head, a perfect example of the show’s nutty, low-budget ingenuity. The budget for this thing is so low, in fact, that Hernandez doesn’t even use split screen effects when he holds conversations with himself: the camera just cuts back and forth between Hernandez in different costumes, emoting with hammy gusto and clearly having the time of his life. The trailer below should give you a pretty good idea of the creepy, dorky wonderfulness that is the Quintas experience.



Issued in a limited edition of 2000, The Naked Cosmos quickly sold out. Used copies are still available on Amazon and elsewhere, but the prices are slowly rising and I suspect that a few years from now this thing will a major collector's item. (In other words, click on that Amazon link above and snap up a copy while you still can!) The full package features four 22-minute episodes, bloopers, portraits of the characters by Hernandez and other artists, and an original, 20-page comic book. The next time you’re restlessly flipping the TV dial in the dead of night, fire up this thing and you’ll go to sleep a few hours later confused but happy.

(This post originally appeared, in a very altered form, in OC Weekly.)

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About This Blog

"Science fiction plucks from within us our deepest fears and hopes, then shows them to us in rough disguise: the monster and the rocket." - W.H. Auden

Who is he, this one who is called "Greg Stacy"?

Greg Stacy began the MONSTERS AND ROCKETS blog in April of 2009. Prior to that, he was editor of the popular sci-fi/horror news website DARKWOLDS.COM. He has also written for LA WEEKLY, OC WEEKLY, UTNE READER and LOS ANGELES CITYBEAT. He always feels weird writing about himself in the third person.

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